TUNE, a series of short sound residencies, is hosted at Haus der Kunst and explores the intersections of sound, music, and visual art. The invited artists move across genres, eras, and influences, and generate sonic responses and exchanges with the wider programming at Haus der Kunst.
The programme for 2024 moves between macro and micro experiences of sound, from the spiritual to the material, and from timelessness to the present. In resonance with the exhibition “Inside Other Spaces”, Ellen Arkbro and Marcus Pal will begin the TUNE-series. Both artists studied tuning systems with La Monte Young and Marian Zazeela, the duo who devised a series of permanent sound environments called Dream Houses – including an installation in Polling, outside Munich, and who believed that “The whole universe is vibrating…” (Catherine Christer Hennix, The Wire 2018)." Chord by chord and tone by tone, Arkbro and Pal tune sound to space with attention to acoustic and psychoacoustic phenomena. They create environments where listening becomes an active process of creative participation, inviting the listener to gradually be absorbed into the sound itself.
Our interdependence with the natural world is also explored by the work of Meredith Monk, who alongside her survey exhibition “Calling” at Haus der Kunst, will perform, live, a selection of works from her oeuvre. Later in the series, voices, both human and nonhuman, are explored, as Jana Winderen uses advanced sonic sensing technology to investigate sound worlds hidden within the natural environment, opening audiences up to a new form of deep listening and understanding of the sounds that surround us. FUJI|||||||||||TA locates and elaborates on the previously unknown potential of his instruments, working with the timbre of different materials, including the natural resonances of water.
Alongside the performance programme, an artist is invited to make a new acoustic work to be installed in the Terrassensaal for nine months. The Terrassensaal is a transitional space, in which the sound installation can be encountered. It offers the possibility to critically engage with sound and music as layered art forms that carry histories and meanings. The artist is also commissioned to produce sound for Haus der Kunst to use online to accompany digital content, and to play at live events. Their work becomes the voice of the museum.
Artists invited for 2024 include Ellen Arkbro, Marcus Pal, Meredith Monk, Puce Mary, Leila Bordreuil, Jim C. Nedd, Slauson Malone 1, DJ Nigga Fox, Márcio Matos, nwakke, Hanne Lippard, FUJI|||||||||||TA, Hanne Lippard, Pavel Milyakov, Jana Winderen.
Curated by Sarah Miles.
Live Programme 2024
- 26. & 27.1.24 Ellen Arkbro & Marcus Pal
- 15.–17.2.24 Meredith Monk
- 22. & 23.3.24 Puce Mary & Leila Bordreuil
- 26. & 27.4.24 Jim C. Nedd
- 24. & 25.5.24 Slauson Malone 1
- 21. & 22.6.24 DJ Nigga Fox, Márcio Matos, NWAKKE
- Summer break in July and August
- 13. & 14.9.24 FUJI||||||||||TA
- 25. & 26.10.24 Jana Winderen
- 29. & 30.11.24 TUNE x frameless. Tomoko Sauvage, Christina Vantzou
Artist info
Dj Nigga Fox
Dj Nigga Fox was born in Luanda, Angola and grew up in Lisbon. The composer, producer and DJ is described as a revolutionary deconstructionist prophet of the normative 4/4. Beyond notions of history and African culture in Portugal and Europe he breathes and transforms what is still from the streets, what the Algorithm rules and the State legislates, his is a work that is the fruit of his genuine gesture as a composer and producer, renewing time and time again the mystery and pleasure of free crossbreeding rhythm and sound.
His debut, “O Meu Estilo,” was released in 2013 on Príncipe Records, showcasing a portion of his wide spectrum of musical influences. Mixing local styles with influences from Luanda, he created a distinctive blend of Kuduro, Afro-House, Angolan Deep, Tarraxinha, and Batida. Since then, DJ Nigga Fox has ventured into uncharted sonic territories with numerous EPs, albums, and performances, crafting intimate, transcendent, and universal music.
NWAKKE
NWAKKE is a London-based artist, dancer and DJ working with sound, writing, video and performance. Through multi-genre songwriting and production, soundscape creation and improvisation, NWAKKE seeks to craft deep listening experiences that speak to emotional honesty, bodily sensation and storytelling. Informed by their African Caribbean heritage and inquiries into health and psycho-somatic wellness, their work focuses on making sense of and expressing the pre-verbal, incorporating dance and music spiritualities, to hold the complexity and interconnectedness of space, time, land & body.
Slauson Malone 1
Slauson Malone 1 is the musical and performance project of Los Angeles multi-instrumentalist, songwriter, producer, and visual artist Jasper Marsalis. SM1 explores the ways in which popular music comes into contact with performance art. His new album “Excelsior” (Warp Records) follows the critically acclaimed ‘A Quiet Farewell, 2016-2018 (Crater Speak)’ and 2020’s “Vergangenheitsbewältigung (Crater Speak)” which considered the simultaneous inaccessibility and continuous presence of the past.
Jim C. Nedd
Jim C. Nedd is a Colombian-Italian artist born in 1991. Working in the richly creative space between fiction and documentary photography, Jim C. Nedd makes images with an illusory and carnivalesque vision, and in gloriously sensuous flights of imagery, he crafts visual stories of energy and identity, rhythm and rapture, glitter and grit. Fusing episodic encounters with moments from daily life and elements of the dreamlike and surreal, Nedd transforms the figures and landscapes of his surroundings into poetic works braided with recurring concerns and themes, often inspired by a mix of collective memories, shared experiences and his Caribbean culture.
Puce Mary
Puce Mary is the solo moniker of Danish-born artist Frederikke Hoffmeier. With a long career in experimental electronic music - Puce Mary has a reputation for intense live performances that span from gripping renditions of cinematic composition to the full-on fury of off-the-cuff harsh noise.
Leila Bordreuil
Leila Bordreuil is a cellist, composer, improviser and sound artist based in Brooklyn. Her musical language borrows concepts from harsh noise, free-jazz, contemporary-classical and other experimental traditions. Driven by a fierce interest in pure sound and inherent texture, Leila challenges conventional cello practice through original extended techniques and extreme amplification methods without effects pedals. Her compositions explore psychoacoustic happenings and sound-spatialization through multichannel and site-specific pieces.
Meredith Monk
Meredith Monk (b. 1942, New York City) is a composer, singer, director, choreographer, filmmaker and visual artist. In the mid-1960s she began developing her innovative performance work and her exploration of voice as a multi-faceted instrument, creating a unique style that has often been described as sounding both ancient and futuristic. In her music, ranging from solo works for voice and keyboard to ensemble and orchestral compositions, Monk draws from the voice’s ability to form primordial utterances and a range of sounds later termed “extended vocal technique”, mostly bypassing narrative, language-based structures while expressing universal human experiences.
A ground-breaking figure in interdisciplinary and site-specific performance, Monk’s visionary approach has had a significant influence on subsequent generations of artists and performers. Monk continues to push the boundaries of music, theatre, dance, video and installation
Ellen Arkbro
Ellen Arkbro (b. 1990) is a composer, musician, and sound artist working with precision-tuned intervallic harmony and installation. Arkbro composes for acoustic instruments, synthetic sounds, and combinations of the two. She has presented her site-specific work at Barbican in London, Kölner Philharmonie, Serralves in Porto, Oude Kerk in Amsterdam, Silent Green in Berlin, Ina GRM in Paris, and Tempelaukkio Kirke in Helsinki. In all aspects of her practice, Arkbro focuses on the qualities of harmonic sound that reveal listening as an active process of creative participation, inviting the listener to gradually transform into the sound itself.
Marcus Pal
Marcus Pal (b. 1991) is a sound-artist, composer and theorist working with harmonic sound. Their work focuses on the phenomenology of intensity, clarity and possibility as it manifests in the perception of tones, chords, harmony and other forms of harmonicity. Marcus is interested in how our ways of conceptualizing harmonic sound, and perceptual experience more generally, limit and shape the possibility space of listening. In their theoretical work, they are drawing on tenth and eleventh-century Buddhist and Pratyabhijña Śaiva epistemology and philosophy of mind. As a composer, Marcus works extensively with just intonation harmony and composes for both acoustic instruments and digital sound synthesis. In 2013 and 2014, Marcus studied with La Monte Young and Marian Zazeela while living in the Church Street Dream House in New York. Since 2014, they have worked regularly with Catherine Christer Hennix. They also have a long-standing collaboration with Ellen Arkbro.
Jana Winderen
Jana Winderen is a Norway-based artist with a background in mathematics, chemistry, and fish ecology. She focuses on hard-to-access sound environments and creatures, whether deep underwater, within ice, or in frequencies beyond human hearing. Her site-specific audio installations and concerts have been exhibited internationally in major institutions and public spaces.
FUJI||||||||||TA
FUJI||||||||||TA is a Japanese sound artist and composer. He creates unique sound art which takes various natural phenomena that respond to his interest in wanting to hear unheard sounds and noises. In 2009, he handcrafted a pipe organ and has since released several sets characterized sounds of the air and the minimal. With the release of his album “iki” in 2020, he gained international recognition and has since been active in Europe and North America.