Duration
27.3.26, 7:00 PM - 9:00 PM
Location
Terrassensaal
Language
English
Admission
Free
Info
How can exhibitions interrogate the notions of authorship, originality, and display? This question permeates the practice of Arte Povera artist Emilio Prini. The publication …E Prini expands on this inquiry and accompanies the first comprehensive survey of Prini’s work, both curated by Luca Lo Pinto.
At Haus der Kunst — where the programme challenges exhibition formats and their conventions — the event opens with a presentation by Experimental Jetset, the designers of the book. This will be followed by a conversation between Luca Lo Pinto and Andrea Lissoni. The programme also includes a specially commissioned live sound intervention by Martina Ruggeri.
Experimental Jetset is an independent, Amsterdam-based graphic design studio, founded in 1997 by (and still consisting of) Marieke Stolk, Erwin Brinkers and Danny van den Dungen. Focusing on printed matter and site-specific installations, and describing their methodology as “turning language into objects”, Experimental Jetset have worked on projects for a wide variety of institutes.
Luca Lo Pinto is a curator and editor. He was the artistic director of MACRO – Museum of Contemporary Art of Rome from 2020 till 2025. From 2014 till 2019 he worked as curator of Kunsthalle Wien. He is co-founder of the magazine and publishing house NERO.
Martina Ruggeri is one half of the visual and performative arts duo Industria Indipendente, and creator and resident DJ of the happening party Merende. Her research is rooted in language and in an expanded notion of writing that inscribes itself onto bodies, environments and surfaces. It unfolds through action and performativity, dissolving boundaries between self and others, here and elsewhere.
Andrea Lissoni has been Artistic Director of Haus der Kunst Munich since 2020. His programme, which began in April 2022, is based on transdisciplinary and intergenerational approaches in which all strands of artistic practice are closely interlinked.
The presentation is supported by the Italian Council (2024), a programme of the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture.