#HDKfromHome - Digital Audio Tour through the exhibition "Interiorities"

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Hier geht es zum Audiorundgang auf Deutsch!

Based on the art historical genre of interior painting, “Interiorities” unites four artists – Njideka Akunyili Crosby, Leonor Antunes, Henrike Naumann and Adriana Varejão – who explore the relationship between interior and exterior space. Whether as an imaginary or real setting, as metaphor or a concrete site for intimate social actions, these artists’ works reveal the potential of the interior to reflect and alter the social and political zeitgeist.

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Extended info to the introduction: Kwame Anthony Appiah, Cosmopolitanism

Leonor Antunes: discrepancies with A.A., 2017

  • Leonor Antunes Installationsansicht / Installation view “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.” (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Leonor Antunes Installationsansicht / Installation view “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.” (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Leonor Antunes “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.”, Detail, (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Leonor Antunes “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.”, Detail, (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Carlo Scarpa, The Brion Cementary in San Vito d'Altivole
    Carlo Scarpa, The Brion Cementary in San Vito d'Altivole

Extended info: Jorge Luis Borges, Kafka And His Precursors




Leonor Antunes: discrepancies with A.A., 2019

  • Leonor Antunes “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.”, Detail, (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Leonor Antunes “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.”, Detail, (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Leonor Antunes Installationsansicht / Installation view “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.” (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Leonor Antunes Installationsansicht / Installation view “discrepancies with C.S.” (2017) und/and “discrepancies with A.A.” (2019) Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Anni Albers, Double Impression I, 1978
    Anni Albers, Double Impression I, 1978

Leonor Antunes: Alterated Climbing Forms (I-III), 2017

  • Innenleben / Interiorities Installationsansicht mit Werken von Leonor Antunes und Njideka Akunyili Crosby / Installation view with works by Leonor Antunes and Njideka Akunyili Crosby Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Innenleben / Interiorities Installationsansicht mit Werken von Leonor Antunes und Njideka Akunyili Crosby / Installation view with works by Leonor Antunes and Njideka Akunyili Crosby Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Mary Martin, Climbing Form, 1954
    Mary Martin, Climbing Form, 1954

Njideka Akunyili Crosby: Garden Thriving, 2016

  • Njideka Akunyili Crosby, Garden, Thriving, 2016 © Njideka Akunyili Crosby, Courtesy the artist, Victoria Miro, and David Zwirner, Photo: Robert Glowacki
    Njideka Akunyili Crosby, Garden, Thriving, 2016 © Njideka Akunyili Crosby, Courtesy the artist, Victoria Miro, and David Zwirner, Photo: Robert Glowacki

Njideka Akunyili Crosby: Bush Girl, I see you in my eyes, I still face you, 2015 

  • ​Njideka Akunyili Crosby, Bush Girl, I see you in my eyes, I still face you, 2015, Photo: Connolly Weber Photography
    ​Njideka Akunyili Crosby, Bush Girl, I see you in my eyes, I still face you, 2015, Photo: Connolly Weber Photography

Njideka Akunyili Crosby, Grandmother’s Parlour + Teatime In New Haven, 2016

  • Njideka Akunyili Crosby, Teatime In New Haven, 2016, Photo: Connolly Weber Photography
    Njideka Akunyili Crosby, Teatime In New Haven, 2016, Photo: Connolly Weber Photography

Chimamanda Ngozi Adichie, Americanah

Njideka Akunyili Crosby, Home- As You See Me, 2017

  • Njideka Akunyili Crosby, Home: As You See Me, 2017 © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice
    Njideka Akunyili Crosby, Home: As You See Me, 2017 © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice
  • Njideka Akunyili Crosby, Home: As You See Me, 2017, Detail © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice
    Njideka Akunyili Crosby, Home: As You See Me, 2017, Detail © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice
  • Njideka Akunyili Crosby, Home: As You See Me, 2017, Detail © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice
    Njideka Akunyili Crosby, Home: As You See Me, 2017, Detail © Njideka Akunyili Crosby, Courtesy the artist and Victoria Miro, London/Venice

Adriana Varejão, Green Sauna, 2016

  • Adriana Varejão, Green Sauna, 2016, Photo: Connolly Weber Photography
    Adriana Varejão, Green Sauna, 2016, Photo: Connolly Weber Photography
  • Adriana Varejão, Ausstellungsansicht "Innenleben", Haus der Kunst 2019, Photo: Connolly Weber Photography
    Adriana Varejão, Ausstellungsansicht "Innenleben", Haus der Kunst 2019, Photo: Connolly Weber Photography

Adriana Varejão, Linda Da Lapa, 2005

  • Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography
    Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography
  • Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography
    Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography
  • Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography
    Adriana Varejão, Linda Da Lapa, 2005, Photo: Connolly Weber Photography

Adriana Varejão, Proposta Para Uma Catequese I, 1993

Extended Info: Oswald De Andrade, Manifesto Antropófago


Henrike Naumann, Ruinenwert, 2019

  • Henrike Naumann „Ruinenwert“, 2019 Installationsansicht Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Henrike Naumann „Ruinenwert“, 2019 Installationsansicht Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Henrike Naumann „Ruinenwert“, 2019 Installationsansicht Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Henrike Naumann „Ruinenwert“, 2019 Installationsansicht Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography
  • Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography
    Henrike Naumann „Ruinenwert“, 2019 Installationsansicht, Detail Haus der Kunst, 2019 Photo: Connolly Weber Photography

Henrike Naumann, Brecher, 2019

  • Henrike Naumann, Installationsansicht, Haus der Kunst, 2019, Photo: Connolly Weber Photography
    Henrike Naumann, Installationsansicht, Haus der Kunst, 2019, Photo: Connolly Weber Photography
  • Henrike Naumann, Installationsansicht, Haus der Kunst, 2019, Photo: Connolly Weber Photography
    Henrike Naumann, Installationsansicht, Haus der Kunst, 2019, Photo: Connolly Weber Photography

Extended info: Friedrich Rückert, Barbarossa

Related exhibition:

Njideka Akunyili Crosby, Garden, Thriving, 2016 © Njideka Akunyili Crosby, Courtesy the artist, Victoria Miro, and David Zwirner, Photo: Robert Glowacki
Interiorities. Njideka Akunyili Crosby, Leonor Antunes, Henrike Naumann, Adriana Varejão

Exhibition, 29.11.19 — 29.3.20