Symposium: Harald Bodenschatz - Lecture
Lecture, Video 10.06.12, 2:30 pm
Urban Design, Architecture, and Representation of European Dictatorships in the 1930s and 1940sMore
Symposium: Okwui Enwezor - Welcome
Lecture, Video 10.06.12, 10 am
Symposium Day 2 / Histories in Conflict: Haus der Kunst and the Ideological Uses of Art 1937-1955More
Symposium: Benjamin H. D. Buchloh - Keynote Lecture
Lecture, Video 10.06.12, 10:30 am
Symposium Day 2 / Histories in Conflict: Haus der Kunst and the Ideological Uses of Art, 1937-1955More
Symposium: Sabine Brantl - Introduction
Lecture, Video 10.06.12, 10:10 am
Symposium Day 2 / Histories in Conflict: Haus der Kunst and the Ideological Uses of Art 1937-1955More
Symposium: Panel discussion "Reconstruction of the Postwar-Museum"
Video, discussion 10.06.12, 11:45 am
Symposium Day 2 / Histories in Conflict: Haus der Kunst and the Ideological Uses of Art, 1937-1955More
Symposium: Panel discussion "Exile and Return of the Avantgarde 1937 – 1955"
Video, discussion 10.06.12, 3:30 pm
Symposium Day 2 / Histories in Conflict: Haus der Kunst and the Ideological Uses of Art, 1937-1955More
Image Counter Image
Exhibition catalogue
With a foreword by Okwui EnwezorMore
Haus der Kunst Symposium
Symposium 09.06 – 10.06.12
As part of the programs marking the 75th anniversary of Haus der Kunst, two major exhibitions were organized: “Image Counter Image” and “Histories in Conflict: Haus der Kunst and the Ideological Uses of Art, 1937-1955”. A two-day symposium brought together some of the sharpest critical thinkers on the historical and theoretical issues surrounding the exhibitions.More
Janet Cardiff & George Bures Miller, The Killing Machine, 2007, Courtesy Sammlung Goetz
Cardiff & Miller — Works from the Goetz Collection
Exhibition 13.04 – 08.07.12
The exhibition presents eight works by the Canadian artist duo Janet Cardiff and George Bures Miller, who, by combining image and tone and replicated spaces, activate as many of the viewer's senses as possible in order to make the depicted events as real as possible. Cardiff/Miller participated in dOCUMENTA (13), 2012.More
Christoph Brech: The Wind that shakes the Barley, 2008, Still, 1-Kanal-Video (Projektion oder Monitor), Courtesy Sammlung Goetz
Resonance and Silence – Goetz Collection at Haus der Kunst
Exhibition 13.04 – 09.09.12
The acoustic perception of moving images in space is one of the great possibilities of video art, which is very much like our ordinary perception. On the other hand, images and sounds can also be interpreted differently and read anew, particularly through the strong impact of sounds on our emotional state.More
Langlands & Bell, The House of Osama bin Laden (Bunker), 2003, Langlands & Bell
Image Counter Image
Exhibition 10.06 – 16.09.12
The exhibition presents artistic positions that focus on the critical analysis of violent conflicts in the media, beginning with the First Gulf War of 1990-1991 to the September 11, 2001, terrorist attacks on the World Trade Center, and ending with the events of the Arab Spring of 2011. More
Model of the "House of German Art" at the "Glanzzeiten deutscher Geschichte [Great Events in German History]" parade on the 1933 "Day of German Art", from: Verzeichnis der Aufnahmen verschiedener Arbeiten by Paul Ludwig Troost, ca. 1935. Image: Atelier Troost, © Zentralinstitut für Kunstgeschichte
Histories in Conflict
Exhibition 10.06.12 – 13.01.13
In 2012, Haus der Kunst opened its doors for its 75th year. At the same time, it looked back upon its 20-year existence as Stiftung Haus der Kunst München GmbH. More