Ends of the Earth – Land Art to 1974
Essay by Philipp Kaiser and Miwon Kwon "Ends of the Earth and Back"
The first major exhibition on Land Art, "Ends of the Earth", took six years of research. In their insightful essay "Ends of the Earth and Back", the curators Philipp Kaiser and Miwon Kwon shed light on Land Art's historical context and the development.
Stretch your view
Stretch your view
Ends of the Earth — Land Art to 1974
With a foreword by Okwui Enwezor (Haus der Kunst) and Jeffrey Deitch (The Museum of Contemporary Art, Los Angeles). MORE
Ends of the Earth - DER SPIEGEL - Interview
Interview with curator Philipp Kaiser on the exhibition “Ends of the Earth – Land Art to 1974” MORE
Clive Kellner: Kendell Geers 1988 — 2012
Clive Kellner, curator of the exhibition, gives an overview of Kendell Geers' work from 1988 to 2012. MORE
Branka Stipančić: "Deal with it, Comrade!"
Branka Stipančić on the Croatian art scene during the 1960s. MORE
Patrizia Dander: "Centrifugal Forces at Work"
In her essay on the Croatian artist Ivan Kožarić, exhibition curator Patrizia Dander tries to get to the heart of Kožarić's work, which is characterized, above all, by artistic freedom. MORE
Ulrich Wilmes: Deep, Dark Time
Catalogue essay by curator Ulrich Wilmes on Baselitz's practice of critical reflecting on his own work against a new temporal background. MORE
Withholding Images MORE
Okwui Enwezor: Gestures of Affiliation
This essay by Okwui Enwezor focuses on three public buildings that respond to the necessity to inscribe new types of historical content into architecture itself. MORE
Okwui Enwezor: Rise and Fall of Apartheid
The essay offers a comprehensive overview of the pictorial response to apartheid in South Africa. MORE
Mel Bochner on his early works
Read Mel Bochner's short texts "Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art" (1997) and "Misunderstandings (A Theory of Photography 1967-70)" (2000). MORE
Portals and Processions: Matthew Barney's "River of Fundament"
Essay by Okwui Enwezor MORE
Ana Dević: "A Feeling of Wholeness"
Ana Dević's essay on the Croatian artist Ivan Kožarić was published in May 2013 in the magazine "Afterall". MORE
ECM — A Cultural Archaeology: Essay by Okwui Enwezor
Essay "Great Big Ears" by Okwui Enwezor, Director und Curator of the exhibition "ECM — A Cultural Archaeology" MORE
Ulrich Wilmes: "Between Reading and Seeing"
Curator Ulrich Wilmes on the art of American artist Mel Bochner, who is considered one of the founders of conceptual art. MORE
Alex Kitnick: Everybody's Autobiography
In his catalogue essay, Alex Kitnick looks at Mark Leckey as an archivist of past lifestyles and fads. MORE
Julienne Lorz: Joëlle Tuerlinckx and the Exhibition
In her essay, curator Julienne Lorz explores the working methods of the Belgian conceptual artist Joëlle Tuerlinckx, whose exhibitions can be seen as a medium in itself. MORE
Sculptural Acts - Essay by Patrizia Dander and Julienne Lorz
Sculptural Acts brings together two seemingly disparate elements: sculpture and the act. While sculpture is ordinarily associated with a state of stasis, the act suggests movement or an action of some sort. MORE
Ulrich Wilmes: Ellen Gallagher
Catalogue essay about the cornerstones of the artist's visual language MORE
Patrizia Dander: A Desire for Things
In her essay, curator Patrizia Dander returns to Mark Leckey's 2004 exhibition "Septic Tank". MORE