Reviews on Lynette Yiadom-Boakye

In the press

Below you find different press reactions to Lynette Yiadom-Boakye and the third Capsule exhibition, which presents new works by the British-Ghanaian artist.
Yiadom-Boakye's paintings move within the European tradition of figurative painting and illustrate its full range of formats: from small, intimate closeups to large-scale works whose size and impact are reminiscent of history painting. With her expressive representations of the human figure, the artist examines the formal mechanisms of the medium of painting and reveals profound psychological dimensions in her works.

→ The New York Times: "Lynette Yiadom-Boakye" (25.06.2015)
→ The Guardian: "Lynette Yiadom-Boakye: artist in search of the mystery figure" (31.05.2015)
→ IAM: "Lynette Yiadom-Boakye: Verses After Dusk" (13.06.2015)
→ The I. B. Tauris Blog: "Black British artists who should be better known" (07.08.2014)
→ Independent: "In the studio: Lynette Yiadom-Boakye, painter" (08.11.2013)
→ Interview: "Lynette Yiadom Boakye" (12.06.2012)
→ The Culture Trip: "Lynette Yiadom-Boakye: Portraits Without a Subject"

Lynette Yiadom-Boakye, Blood Soaked South, 2015, Courtesy Corvi-Mora, London and Jack Shainman Gallery, New York © The Artist

Stretch your view


Stretch your view

Picture Gallery


Video

Capsule 03 + 04 / Exhibition film

The six-minute film provides insight into the work of the Ghanaian-British painter Lynette Yiadom-Boakye and the Dresden-based installation artist Adele Röder. MORE